- Ships from US and EU!
- Made in EU and MEX
- Slim fit, tappered leg
- Soft cotton-feel fabric face
- Brushed fleece fabric inside
- Cuffed legs
- Practical pockets
- Elastic waistband with a white drawstring
- 70% polyester, 27% cotton, 3% elastane
- Fabric weight: 8.85 oz/yd² (300 g/m²)
- *Looking for a bigger size for the man of your life? Contact us! We have a male model of this cut with roomier cuffed legs and a lower inseam.
"By 1890, Monet had become financially successful enough to buy the house and large garden at Giverny, which he had rented since 1883. With enormous vigour and determination, he swiftly set about transforming the gardens and creating a large pond. Once the garden was designed according to the artist’s vision, it offered a boundless source of inspiration, and provided the major themes that dominated the last three decades of Monet’s career. Towards the end of his life, he obfuscated his initial intentions, perhaps with a mind to his own mythology, telling a visitor to his studio: "It took me some time to understand my water lilies. I planted them purely for pleasure; I grew them with no thought of painting them. A landscape takes more than a day to get under your skin. And then, all at once I had the revelation – how wonderful my pond was – and reached for my palette. I’ve hardly had any other subject since that moment" (quoted in Stephan Koja, Claude Monet (exhibition catalog), Österreichische Galerie Belvedere, Vienna, 1996, p. 146).
Once discovered, the subject of water lilies offered a wealth of inspiration that Monet went on to explore for several decades. His carefully designed garden presented the artist with a micro-cosmos in which he could observe and paint the changes in weather, season and time of day, as well as the ever-changing colors and patterns. John House wrote: "The water garden in a sense bypassed Monet’s long searches of earlier years for a suitable subject to paint. Designed and constantly supervised by the artist himself, and tended by several gardeners, it offered him a motif that was at the same time natural and at his own command - nature re-designed by a temperament. Once again Monet stressed that his real subject when he painted was the light and weather" (J. House, Monet: Nature into Art, Newhaven, 1986, p. 31)."
Artist: Claude Monet | Designer: Sabai Beauty
|Waist (inches)||25 ¼||26 ¾||28 ⅜||31 ½||34 ⅝||37 ¾||41|
|Hips (inches)||35 ⅜||37||38 ⅝||41 ¾||44 ⅞||48||51 ⅛|