This unique, versatile accessory is more than "just" a face mask cover. Fold it for a custom headband or bandana. Wear it around your neck, scarf-style, and use it as a neck warmer. Buy two and wrap them around your biceps, or use them as wristbands, just because you can! No matter what you use them for, the four-way stretch of this breathable fabric will keep your options open (on both ends). Upgrade your accessory game and find a matching face shield for each of your outfits, to cover your face masks. Perfect as extra protection over your disposable or re-usable face masks.
Help reduce the pollution from disposable face masks and check-out our Bundle offer for three re-usable face masks and a convertible face mask cover of your choice!
- Ships from US and EU!
- Printed, cut, hand-sewn in US/MEX/EU
- Printed on one side, reverse side is left blank = Work says your mask has to be blank (boring!) Stay in regulations when you have to & flip it around when you don't.
- Washable and reusable = Don't wear it until it gets gross. It's made to last.
- Four-way stretch fabric that stretches and recovers on the cross and lengthwise grains = It goes where you want & solves the mask hanging off one ear or under the chin look.
- Breathable fabric = Perfect to exercise or for going out without overheating.
- One size = Fits all your beautiful faces.
- 95% polyester, 5% elastane (fabric composition may vary by 1%)
- Fabric weight: 6.19 oz/yd² (210 g/m²)
"By 1890, Monet had become financially successful enough to buy the house and large garden at Giverny, which he had rented since 1883. With enormous vigour and determination, he swiftly set about transforming the gardens and creating a large pond. Once the garden was designed according to the artist’s vision, it offered a boundless source of inspiration, and provided the major themes that dominated the last three decades of Monet’s career. Towards the end of his life, he obfuscated his initial intentions, perhaps with a mind to his own mythology, telling a visitor to his studio: "It took me some time to understand my water lilies. I planted them purely for pleasure; I grew them with no thought of painting them. A landscape takes more than a day to get under your skin. And then, all at once I had the revelation – how wonderful my pond was – and reached for my palette. I’ve hardly had any other subject since that moment" (quoted in Stephan Koja, Claude Monet (exhibition catalogue), Österreichische Galerie Belvedere, Vienna, 1996, p. 146).
Once discovered, the subject of water lilies offered a wealth of inspiration that Monet went on to explore for several decades. His carefully designed garden presented the artist with a micro-cosmos in which he could observe and paint the changes in weather, season and time of day, as well as the ever-changing colors and patterns. John House wrote: "The water garden in a sense bypassed Monet’s long searches of earlier years for a suitable subject to paint. Designed and constantly supervised by the artist himself, and tended by several gardeners, it offered him a motif that was at the same time natural and at his own command - nature re-designed by a temperament. Once again Monet stressed that his real subject when he painted was the light and weather" (J. House, Monet: Nature into Art, Newhaven, 1986, p. 31)."
Artist: Claude Monet | Designer: Sabai Beauty